Or rather, how not to make an exhibition of one painting, particularly an exhibition with a £20 entry fee, of a painting which is usually available to view for free in the gallery, and is not a loan or recent acquisition. The Virgin on the Rocks: And Nothing But The exhibition space is arranged around a … Continue reading The Virgin on the Rocks: How To Make An Exhibition Of One Painting
Featured strings: Just Go Nuts, Overlooked Treasures This is my last blog entry for Artstring; I've had the most tremendous time exploring the collections at the National Gallery, Science Museum and British Museum in greater depth than I had previously, and I sincerely hope, as I mentioned in my introductory post that other museums, London and worldwide, follow suit … Continue reading Finishing on a high: personal faves and highlights
Featured string: The Splendour of the Ordinary Spending a lot of time with museum collections and history, as I'm lucky enough to be allowed to, means grappling with the surprising timeline of inventions and "normalisations" (when using stuff that's been invented becomes normal--this can sometimes be a large gap. For example, the first video call was … Continue reading The Splendour of the Ordinary
Creating the Women Artists string, I knew I'd face some hurdles.
Futureproofing: Disasters? In light of the recent and absolutely catastrophic cultural and scientific loss both to Brazil and to the world in the fire that consumed the national museum in Rio, there are a lot of questions to be raised about what the future is for museums as conservators and curators of culture to join the … Continue reading Storehouses of Knowledge or Warehouses of Risk?